NZ International Film Festival 2017.

NZ International Film Festival 2017 for lesbians

The New Zealand International Film Festival is over in the big cities and it is now moving through other centres. The full programme for each centre is available online at the Festival website:

The programme is a tad meagre on treats for lesbians - two films to watch out for are:

A Date for Mad Mary

A Date for Mad Mary

Sent only a single invitation, dry, sarcastic, maddening Mary sets out to find a date for her best friend’s wedding in this barbed and funny Irish romcom ... more.

The Party

The Party

The dinner-party-from-hell genre is delivered a short sharp shock by veteran British writer-director Sally Potter in this gleaming black comedy. Includes an earnest lesbian couple ... more


Films by and about women

There are an amazing number of films about women, made by women, some sturdily feminist and some not so ... make of them what you will. See your local progrmme 'cos they are not going everywhere [the links below go to the Wellington online programme].

  • 20th Century Women - Annette Bening captivates as a single mother enlisting Greta Gerwig and Elle Fanning to help raise her 15-year-old son in this funny, nuanced memoir of late-70s lifestyles from director Mike Mills
  • The Beguiled - Colin Farrell plays a wounded Civil War mercenary under the care of a commune of young women, led by Nicole Kidman, in Sofia Coppola’s beautiful, feminist take on Don Siegel’s 1971 Southern Gothic psychodrama.
  • Citizen Jane: Battle for the City - This fascinating documentary about urban planning considers the continuing relevance of the showdown, half a century ago, between the activist Jane Jacobs and the Trumpian Robert Moses: a fight for the future of New York.
  • A Fantastic Woman - Rising Chilean director Sebastián Lelio (Gloria) celebrates the endurance of a woman under suspicion of murder in a film that heralds a stellar debut for transgender actress Daniela Vega.
  • I Am Not a Witch - Set in Zambia, the birthplace of writer-director Rungano Nyoni, this strange, engrossing feature addresses the continuing marginalisation of ‘witches’ and revolves around a nine-year-old girl accused of witchcraft.
  • Lady Macbeth - Florence Pugh is mesmerising as she transmutes from nervous bride to femme fatale in this bracing British period drama based on a 19th century Russian classic.
  • Maudie - Sally Hawkins delivers an unforgettable performance as Nova Scotian folk artist Maud Lewis, irrepressible despite arthritis and a churlish husband (Ethan Hawke), in this gently flowing biopic set in the 1930s.
  • The Midwife - Catherine Frot stars as a conscientious midwife reluctantly reconnecting with Catherine Deneuve as the flamboyant step-mother who absconded 30 years earlier, in this lively drama from writer/director Martin Provost.
  • No Ordinary Sheila - In Hugh Macdonald’s fascinating and inspiring doco, his cousin, writer and illustrator Sheila Natusch, retraces a long life dedicated to sharing her understanding and love of New Zealand’s nature and history.
  • Step - Fighting the tough realities of their disadvantaged neighbourhood, Step follows three irrepressible young women in an enlightened Baltimore school as they prepare for college – and rehearse for step dance glory.
  • Summer 1993 - Catalan director Carla Simón’s award-winning dramatisation of her own experience as a six-year-old orphan adjusting to a new life in the country features the most remarkable and mesmerising child performances in years.
  • The Teacher - When accused of bartering her students’ grades for goods and services provided by their parents, a schoolteacher mounts a devious defence in this blackly funny dramedy set in the communist era.
  • That’s Not Me - A wannabe star is gutted by her identical twin sister’s HBO success – plus she’s dating Jared Leto – then decides to take advantage in this wry Aussie comedy of outsized fantasies and bad behaviour.
  • A Woman’s Life - In a literary adaptation styled with striking immediacy, Stéphane Brizé relates the tragedy of an adventurous young 19th-century noblewoman harshly judged for an unfortunate marriage.

Home